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Broadway shows usually come with a back story about the yearslong slog it took to get them there. Not so with Heidi Schreck’s new translation of Chekhov’s “Uncle Vanya,” which arrived at Lincoln Center Theater’s Vivian Beaumont Theater not even 12 months after its inception. Directed by Lila Neugebauer, it is Schreck’s first Broadway show since “What the Constitution Means to Me,” in 2019, and the ensemble is a starry one. William Jackson Harper, best known for “The Good Place,” plays Astrov, the eco-nerd doctor whom Sonia loves. Anika Noni Rose, a Tony Award winner for “Caroline, or Change,” is the glamorous Elena, Sonia’s stepmother, for whom both Vanya and Astrov yearn.
Persons: Heidi Schreck’s, Uncle Vanya, , Vivian Beaumont, Lila Neugebauer, Steve Carell, Vanya, Sonia, Alison Pill, Alfred Molina, William Jackson Harper, Anika Noni Rose, “ Caroline, Elena, Sonia’s, Astrov Organizations: Broadway, Lincoln Center
CNN —What should a comedian do when a baby cradled in its mother’s arms starts making noises in the middle of a set? American comedian Arj Barker was faced with that awkward situation during a show in Australia on Saturday night at the Melbourne International Comedy Festival. Barker has repeatedly defended his decision to ask Trish Faranda and her baby, Clara, to leave the event, which specified a minimum age of 15 for attendees. “All I could see was a woman likely holding a baby – the breastfeeding was never part of it. A witness who spoke with Nine News said a few people in the crowd heckled the mother to leave.
Persons: Arj Barker, Barker, Trish Faranda, Clara, ” Barker, , , ” ‘, ’ Faranda, Faranda, , ” Faranda, 3AW, ” –, I’ve, Ellen Sandell, Sandell, you’re, mums aren’t, It’s Organizations: CNN, Melbourne International Comedy, Athenaeum Theater, Australian Broadcasting Corporation, ABC, Nine, Seven News, Nine News, Facebook, Melbourne, Comedy, Festival Locations: Australia, Melbourne, Australian
CNN —Not even a beer at the movies is spared from shrinkflation, alleges a lawsuit against Cinemark. Waldrop then took the container home and measured it for himself, finding it only held 22 ounces, according to the lawsuit. Rising prices seem to have boosted that revenue: Cinemark reported concession revenue for 2023 exceeded revenue in 2019 by 3%, even though movie attendance was 25% lower. A 20-ounce drink at the Plano, Texas, Cinemark theater Waldrop visited costs $7.80 pre-tax, while a 24-ounce drink costs just $1 more, at $8.80. “The 24 oz drink should provide a deal for consumers over the 20 oz drink’s price: $0.37 per ounce vs. $0.39 per ounce,” the lawsuit said.
Persons: Shane Waldrop, Waldrop, overpaying, ” Jarrett Ellzey, Cinemark, , Pennsylvania Democratic Sen, Bob Casey, ” Ellzey, , CNN’s Bryan Mena Organizations: CNN, Cinemark, Pennsylvania Democratic, Labor Department Locations: shrinkflation, Texas, Plano , Texas
Robert Garland has held many positions at Dance Theater of Harlem over many years — principal dancer, resident choreographer, school director, archivist and company webmaster. At long last, he has caught the prize title: artistic director. A couple of years ago, the company’s executive director, Anna Glass, and Virginia Johnson, then its artistic director, invited him to dinner. Normally his evenings were spent at Dance Theater’s school, where he managed the pre-professional students. “They’re like, ‘Oh, come on!’”Johnson, a former star dancer, told Garland that she had decided to step down.
Persons: Robert Garland, Anna Glass, Virginia Johnson, Garland, , , ” Johnson, ” Garland Organizations: Dance Theater of Harlem, Dance
There’s busy, and then there’s bonkers. “Sweeney” wanted new stars in January, the same month as the “Mattress” production. She would have to simultaneously master two scores and two stagings while building the bespoke concert shows and learning to speak with a Cockney accent. And even if, as it turned out, “Sweeney” was willing to wait until her “Mattress” run ended, she’d still have to do double duty — rehearsing “Sweeney” during the day while performing “Mattress” at night. It was just five days after she took her final bows as Princess Winnifred the Woebegone, a coarse but determined marriage candidate in “Once Upon a Mattress,” and the applause was thunderous.
Persons: There’s, there’s bonkers, Sutton Foster, Café Carlyle, “ Sweeney Todd, , “ Sweeney ”, she’d, Lovett, Aaron Tveit, Winnifred Organizations: Center, Carnegie Hall, Broadway Locations:
Is Earlier Better for Theater Start Times?
  + stars: | 2024-02-14 | by ( Alex Marshall | ) www.nytimes.com   time to read: +1 min
At 6:30 p.m. on a recent Thursday, most London theatergoers were still busy at work, or eating a preshow dinner, or maybe waiting at home for a babysitter. Except at the National Theater. The early performances were “marginally outselling” other midweek shows, said Alex Bayley, the National Theater’s head of marketing. The theater will wait to see the trial results before making the early starts a permanent fixture. In interviews in the bustling foyer before the show, 20 attendees said that they thought the early start was a good idea.
Persons: London theatergoers, theatergoers, don’t, Alex Bayley, Ruth Hendle, , , Mary Castleden Organizations: National Locations: London
Yet as the technical crew moved furniture between scenes of Krystian Lupa’s new play “The Emigrants,” which finally had its world premiere in Paris on Saturday, they were watched as carefully as headline performers. Without these inconspicuous figures, the show can’t go on — and for much of the past year, a dispute with technicians has kept “The Emigrants” from the stage. Initially scheduled to debut last June at the Comédie de Genève, a prestigious Swiss playhouse, that production was canceled less than a week before opening night. At the time, the Comédie de Genève cited differences in “work philosophy” and “values” between its team and Lupa, 80, a longtime luminary of European theater. An article in the Swiss newspaper Le Temps said that the theater’s crew had been “mentally and physically exhausted” by Lupa’s attitude in rehearsal.
Persons: Krystian, Le Temps, Lupa Locations: Paris, Swiss
I was staving off my own mourning as my family prepared for the 10th anniversary of my brother Shaka’s death from cancer. That, coupled with political crises and global despair, pushed me to find film, television and performances that helped me make sense of my grief and, hopefully, find a release for it. I can’t think of three more heart-wrenching performances of parental loss than Shiv (Sarah Snook), her voice breaking as she pleads, “Daddy? A man without a company, it is a fate that, for him, is far worse than death. (Read our review of the “Succession” finale.)
Persons: ” Juicy, Shakespeare’s, Z, Marcel Spears, Juicy, Ham, , Logan Roy, Brian Cox, Jesse Armstrong, that’s, Sarah Snook, , Don’t, Kieran Culkin, Kendall, Jeremy Strong Organizations: Broadway Locations: Ham
How Jewish People Built the American Theater
  + stars: | 2023-11-29 | by ( Jesse Green | ) www.nytimes.com   time to read: +46 min
Let Us Tell You A Story How Jewish people built the American theater as we know it. The theater, which for many Jews was a major way of becoming American in the first place, seems unable to acknowledge that the danger that American Jews face is not just historical, and not just onstage. (Both of Adler’s parents were Yiddish theater stars — her father, Jacob Adler, was a renowned Shylock in 1903.) Embedding their own observation and experience within Stanislavsky’s, along with the best of Yiddish theater and a generous dollop of Freud, they converted the American theater to Judaism. Sara Krulwich/The New York TimesThe Jewish contribution to the creation of the American theater was built on the acknowledgment of a larger humanity alive within each of us, available to some, with natural empathy and rigorous training.
Persons: Glocca, , Lerner, Loewe, , Isidore Hochberg, Burton Lane, né Burton Levy, William Goldman, “ Killybegs, Sammy Davis Jr, Julie Andrews, Connie Francis, Rosemary Clooney, Tommy Dorsey, Davis, , Arthur Miller’s “, joyously, Jason Schmidt, Christine Jones, Miller, I’ve, Marilyn Monroe, Robert Brustein, Neil Simon’s, ” Cynthia Ozick, Sholom, Philip Roth, Simon, Leonard Bernstein, Matt Nadel, Bradley, Bernstein, “ Maestro, Shylock, William Shakespeare’s “, Venice ”, Shakespeare, Christopher Marlowe’s, Farah Karim, Cooper, Bard ”, “ Merchant, Tom Stoppard’s, Sara Krulwich, Ansky’s, Stella Adler, Bessie Berger, Clifford Odets’s, Arthur Miller, Elia Kazan, Francis Joseph Bruguière, Billy Rose, Eugene Smith, Roth, Arthur Schnitzler, Juliet Stevenson, Ruth Wolff, Lorraine Hansberry’s, Sidney’s, Alex Edelman’s “, Leo Frank, Bernard B, Frank, Mandy Patinkin, James Lapine, Stephen Sondheim’s, George, Martha Swope, outspokenness, creatives, Oscar Isaac, Sidney, “ Sidney Brustein, Isaac, Stevenson, Robert Icke, Roman Catholic Cooper, Rachel Brosnahan, Maisel, Joan Rivers —, Brosnahan, Sidney Brustein’s, Alec Guinness, Fagin, “ Oliver Twist, I’m, Micaela Diamond, Ben Platt, Lucille, Alfred Uhry, Jason Robert Brown’s, Rivers, Wolff, Robert, Republic ”, isn’t, LEE Strasberg, Konstantin Stanislavsky’s, Fyodor Ivanovich, Strasberg, Israel Strassberg, Zalmon, Srulke, Joseph Stein, Sheldon Harnick, Jerry Bock’s “, Bette Midler, Jackie Hoffman, Photofest Stanislavsky, Theater’s, Isaac Butler, Stanislavsky, Harold Clurman, George Bernard Shaw, Henrik Ibsen, Clurman, Adler, Jacob Adler, Freud, Rebecca Naomi Jones, Ruthie Rivkin, Jerome Weidman, Harold Rome’s “, John Weidman, disown Strasberg, Sanford Meisner, Bobby Lewis, , Marlon Brando, James Dean, Meisner, Robert Duvall, Lewis, Meryl Streep, Clifford Odets, Jacob Garfinkle, Jules Garfield, Odets, Sam Feinschreiber, Garfield, Ralph Berger, wasn’t, John, Tovah Feldshuh, Golda Meir, William Gibson’s, Aaron Epstein, exigencies, Bessie, Feinschreiber —, loveless, William Fox, Louis B, Mayer, Jack Warner, Marjorie Morningstar ”, Morgenstern, Marjorie, Natalie Wood, Anne Frank ”, Millie Perkins, Audrey Hepburn, Susan Strasberg —, Ibsen, Sholom Aleichem, August Wilson, Daveed Diggs, Thomas Jefferson, Lin, Manuel Miranda’s “ Hamilton ”, Adrian Lester, Emanuel Lehman —, Barbra Streisand, Marmelstein, George Silk, Miller’s, Sophie Okonedo, Elizabeth Proctor, Ben Whishaw, John Proctor, Jan Versweyveld, Don’t, — Bernstein, Stoppard, Schnitzler, Jeanine Tesori, Tony Kushner’s “ Caroline, Sharon D Clarke, Adam Makké, Noah Gellman, Leo, Stoppard —, Hermine, ” Leo Frank, there’s, Matthew Broderick, Eugene Jerome, it’s, Edelman’s, Queens bigots, David Yosef Shimon ben Elazar Reuven Alexander Halevi Edelman, Woody Allen, Joshua Harmon’s, — George Gershwin, Jerome Kern, Richard Rodgers, Porgy, Bess ”, Barns, Alex Edelman, Paula Vogel, Harvey Fierstein, Jordan Taylor Fuller, — that’s, Wendell Pierce, Friedman, Jacobs, Hirschfeld, Gershwin, Rodgers, PAULA VOGEL, BRANDON URANOWITZ, DAVID CROMER, MICAELA DIAMOND, TONY KUSHNER, Diamond, Monica Rich Kosann, Marco Bicego, JESSE EISENBERG, MATTHEW BRODERICK, AMY HERZOG, LESLIE RODRIGUEZ KRITZER, JOEL GREY, Herzog, Michael Kors, Kritzer, Marco, HARVEY FIERSTEIN, LIEV SCHREIBER, ETHAN SLATER, IDINA MENZEL, TINA LANDAU Organizations: Broadway, Broadway’s Lyceum, , of Venice, New York Times, Defamation League, New York Public Library, Performing, Vandamm, Billy, Billy Rose Theatre Division, Performing Arts, New, Jacobs, Empire State, Nazi, Goyim Defense, The New York Public Library, Roman Catholic, New York City, Street, Moscow Art, Group, Hollywood, Disney, Everett, The New York Times, Philadelphia, Brit, Times Locations: Poland, American, kilts, E.Y, Harburg, Kilkerry, Kildare, Philadelphia, New York, Polish, Massachusetts, Vichy, Biloxi, Venice, Malta, of, , Germany, playgoers, Sweden, England, United States, Pittsburgh, Nazi, Brustein’s, Greenwich, Georgia, Gutenberg, , Atlanta, Republic, New, Konstantin Stanislavsky’s Moscow, Russian, America, Moscow, Stanislavsky’s, Clurman, Eastern Europe, Czech, Austrian, Auschwitz, Heini, Southern, Brighton, Rivers, French Republic, “ Brigadoon
America’s Nonprofit Theaters Are Finding Ways to Thrive
  + stars: | 2023-11-22 | by ( Rachel Shteir | ) www.wsj.com   time to read: +1 min
“The Fabulous Invalid” is the title of a 1938 George S. Kaufman and Moss Hart comedy about a theater’s struggles to survive. The phrase, which outlasted the show, refers to the resilience of theater in the face of insane odds. Since the pandemic ended, dozens of theaters across the country have closed; many others have laid off staff or cut down their seasons. Data collected by Theater Communications Group shows that 60% of the country’s nonprofit theaters are predicting deficits this year, compared with 10% in 2021. The reasons for the crisis are numerous: competition for audiences from streaming and phones; corporate philanthropy’s pivot away from the arts; crime driving audiences away from downtown districts; didactic plays that alienate audiences.
Persons: George S, Kaufman, Moss Hart, ” William J, Baumol, William G, Bowen Organizations: Theater Communications Group, Performing Arts Locations: America
When Anthony Davis’s opera “X: The Life and Times of Malcolm X,” which is currently being revived at the Metropolitan Opera in New York, premiered in the mid-1980s, it seemed like a radical act of elevation: The opera lent grand pathos to the story of Malcolm X by giving his life the arc of a tragic hero. And at that moment, Malcolm X was a hero, achieving a grandeur on the world stage in death beyond what he had achieved in life. As a proud member of Generation X, I witnessed firsthand the iteration of Malcolm X that exploded into popular culture during the 1980s and 1990s, peaking with Spike Lee’s virtuosic 1992 biopic, “Malcolm X.” By 1999, Malcolm X’s resurgence (remember “X” hats?) meant that his image had become mainstream enough — and safe enough — to be placed on a postage stamp. But when we revisit him, we may find we encounter, and even crave, a Malcolm X who is not omniscient, and who would not seem destined for a postage stamp, but one who dwells in an ambiguous world of doubt.
Persons: Anthony Davis’s, Malcolm X, “ Malcolm X, Malcolm X’s, Malcolm, Barack Obama, George Floyd, Martin Luther King Jr, Jeff Stetson, catharsis Organizations: Metropolitan Opera Locations: New York, Queens
A page from a copy of the First Folio Photo: PBSWho, pray tell, were John Heminges and Henry Condell ? Men responsible for “the most important secular book in the history of the Western world,” according to “Making Shakespeare: The First Folio.” A “Great Performances” presentation, it is concerned, though not overly, with the original publication of William Shakespeare ’s previously uncollected plays, now 400 years old and a near-accident of history. Making Shakespeare: The First Folio Friday, 9 p.m., PBSHeminges and Condell, actor colleagues of Shakespeare, took it upon themselves (with assistance, financial and otherwise, we are told, from bookseller Edward Blount ) to collect, transcribe and print Shakespeare’s 36 known plays in the few years after the playwright’s death in 1616; fewer than 20 had been printed previously (in quarto form—eight pages of text to a sheet, folded to make four leaves). Others were gathered by the pair from handwritten copies, scripts, notes, and often had to be compared with the few examples of Shakespeare’s own handwriting, which was, as one expert describes it, “a mess.”
Persons: John Heminges, Henry Condell, William Shakespeare ’, Shakespeare, Edward Blount Organizations: PBS
Give Me a Break! The Case for an Intermission
  + stars: | 2023-11-03 | by ( Jason Gay | ) www.wsj.com   time to read: 1 min
Recently, distributors behind the new Martin Scorsese epic “Killers of the Flower Moon” issued a warning to a small group of cinemas that had reportedly been inserting unauthorized intermissions inside the 3-hour, 26-minute film. I’m not going to question the choices of a master like Scorsese, who, approaching age 81, has earned the right to show his movies however he wants. I’ll even defend his power to make a serious film lasting more than three hours. He’s Martin Scorsese! He’s not making “Herbie, the Love Bug.”
Persons: Martin Scorsese, , Scorsese, He’s Martin Scorsese, He’s, Herbie
Where “The Dream,” a Ballet Theater staple in recent decades, is a reliable showcase for the company’s theatricality, George Balanchine’s “Ballet Imperial,” on the same program, is good for displaying the troupe’s classical chops across its ranks. Unlike New York City Ballet, which has called the work “Tschaikovsky Piano Concerto No. 2” since the 1970s, Ballet Theater doesn’t downplay the imperial Russian associations, using a backdrop of St. Petersburg. That’s a choice that might disturb some viewers, but Ballet Theater’s rendition also had aesthetic problems. De la Nuez goes for it, too.
Persons: George Balanchine’s, , That’s, Skylar Brandt, Isabella Boylston, James Whiteside, Alonzo King’s, Alexei Ratmansky’s “, Jason Moran, Robert Rosenwasser, Jim French, Brandt, Calvin Royal III, King, Michael de la, De la Nuez Organizations: Ballet, New York City Ballet, Dnipro ” Locations: St . Petersburg
7:30 p.m. Find your seats at a Chicago theater institutionRegional theaters across the country are still suffering from smaller crowds and fewer paying subscribers, and the storied Steppenwolf in the Lincoln Park neighborhood is no exception, laying off 12 percent of its staff this year in the face of declining revenues. But Chicago’s love for theater runs deep, and Steppenwolf, which has been around since 1974, is still producing exceptional plays. (One of its shows, “ Sanctuary City, ” which runs through Nov. 18, is particularly well timed as Chicago struggles with an influx of migrants.) In 2021, the theater completed an expansion of its campus: The revamped Steppenwolf now includes the Ensemble Theater, a 400-seat, in-the-round space. You don’t have to look far for a nightcap after the show — two different bars in the theater’s building are open late.
Organizations: Steppenwolf Locations: Chicago, Lincoln,
On Wednesday, Carole Rothman, the president and artistic director of Second Stage Theater, said that after 45 years she would be leaving that institution, which she co-founded; Second Stage operates the Helen Hayes Theater on Broadway. And Roundabout Theater Company currently has an interim artistic director following the death in April of Todd Haimes, who led that organization for four decades; Roundabout operates three Broadway houses, including the American Airlines, the Stephen Sondheim and Studio 54. Lincoln Center Theater, which is a resident organization at Lincoln Center for the Performing Arts, has three stages of varying sizes, and has produced a wide variety of work. The company currently has an annual budget of $34.5 million and 55 full-time employees; Bishop received $783,191 in total compensation during fiscal 2022, according to an I.R.S. Lincoln Center Theater’s other Tony-winning productions during Bishop’s tenure include “Carousel,” “The Heiress,” “A Delicate Balance,” “Contact,” “Henry IV,” “Awake and Sing,” “South Pacific,” “War Horse,” “The King and I” and “Oslo.”
Persons: Carole Rothman, Helen Hayes, Todd Haimes, Stephen Sondheim, Bishop, Vivian Beaumont, , Tom Stoppard’s, Tony, ” “ Henry IV Organizations: Broadway, Nonprofit, Lincoln Center, Helen Hayes Theater, Roundabout Theater Company, American Airlines, Lincoln Center Theater, Performing Arts, Vivian Beaumont Theater, Radio City Music Hall, Metropolitan Opera Locations: New York, Utopia, “ Oslo
When the two founders of the renowned Belarus Free Theater claimed political asylum in Britain in 2011, they found themselves homeless, with few possessions and facing a bureaucratic labyrinth before they could work. Twelve years later, the company’s founders, Natalia Kaliada and Nicolai Khalezin, are using that experience to help other artists fleeing political repression. The Belarus Free Theater’s political productions have often criticized Lukashenko’s authoritarian leadership and its troupe was long at risk of arrest. But as repression increased, the company decided it was no longer feasible for its other members to remain in Minsk. Since then, Kaliada said, she and Khalezin had been helping the actors to find housing, therapy and visas.
Persons: Natalia Kaliada, Nicolai Khalezin, Ukraine —, Aleksandr G, Lukashenko, Vladimir V, Putin, Kaliada, Khalezin Organizations: Belarus Free Theater, Skype, Belarus —, Belarus Free Locations: Belarus, Britain, British, Minsk, Belarus’s, East, Russia, Ukraine
New York CNN —Taylor Swift’s fans know the greatest films of all time were never made, but that could be called into question come October 13, when her Eras Tour concert movie is set for release in North America. Experts say that choosing movie theaters for the Eras Tour film’s debut over the small screen is a move fitting of both Swift’s business acumen and relationship with her fans. Unlike her previous concerts, the Eras Tour has become a cultural phenomenon. Others seemed to have their own reasons for concern about the Eras Tour film release’s timing. The “Exorcist: Believer,” originally scheduled to be released on the same day as Swift’s film, moved it up a week.
Persons: New York CNN — Taylor Swift’s, Swift, “ Taylor, “ Taylor Swift, Fearless ”, , wouldn’t, Jonathan Kuuskoski, Ralph Jaccodine, Bruce Springsteen, Kiss, that’s, , “ Barbie ”, “ Oppenheimer, “ Barbie, Michael O’Leary, O’Leary, “ You’re Organizations: New, New York CNN, AMC Theaters, Netflix, Disney, Apple Music, Warner Bros, University of Michigan School of Music, Theatre, Ticketmaster, Berklee College of Music, CNN, National Association of Theater Owners, AMC Locations: New York, North America, France
“The isle is full of noises,” sings Caliban, and on Tuesday night it certainly was. Yet all of them melted away, as they usually do, at the Delacorte Theater in Central Park, where the Public Theater’s new musical version of “The Tempest” was giving its opening-night performance. “The Tempest” makes for a fitting farewell, having opened the series, in a different adaptation, in 2013. That “Tempest” introduced the innovative Public Works idea: civic theater made for everyone, with members of local community organizations performing alongside professional actors. He must also release from servitude his chief sprite, Ariel, and his monstrous slave, Caliban.
Persons: , birdsong, Benjamin Velez, Laurie Woolery, pang, Shakespeare, Prospero, Miranda Organizations: Helicopters, Public Locations: Manhattan, Central Park
Since the November night in 1963 when the Cinerama Dome opened its doors with the premiere of “It’s a Mad Mad Mad Mad World” — drawing Milton Berle, Buddy Hackett and Ethel Merman to the sidewalks of Sunset Boulevard in Hollywood — the theater, and the multiplex that later rose around it, has been a home for people who liked to watch movies and people who liked to make movies. Its distinctive geodesic dome, memorialized by Quentin Tarantino in the 2019 film “Once Upon a Time … in Hollywood,” has become more retro than futuristic over the years, a reminder of a Technicolor past. Yet through it all, the complex known as the ArcLight Hollywood remained a cinephile favorite, with no commercials, no latecomers admitted and ushers who would, after introducing the upcoming show, promise to stay behind to make sure the sound and picture were “up to ArcLight standards.”But today the ArcLight Hollywood is closed, both a victim of the coronavirus pandemic and a symbol of a movie industry in turmoil, even in its own backyard. “There was nothing like the ArcLight — I was really surprised they closed,” said Amy Aquino, an actor who played Lt. Grace Billets in the television show “Bosch” and who had been drawn by the theater’s serious approach to moviegoing since seeing “Sideways” there in 2004.
Persons: , Milton Berle, Buddy Hackett, Ethel Merman, Quentin Tarantino, , latecomers, Amy Aquino, Grace, “ Bosch ” Organizations: Hollywood Locations: Sunset, Hollywood
For the next music director of the Royal Opera House, Jakub Hrusa, one main thing defines the theater’s activities: “Quality.”“It’s the quality of human relationships and sensitivity to the genre so that it can be done really well,” he said. “There is an environment which is cultivating, not killing, creativity and the individual voice.”An authoritative, elegant but humble presence on the podium, Mr. Hrusa, a Czech native, has become one of today’s most sought conductors. At the end of the 2024-25 season, he will succeed Antonio Pappano, who became music director at the Royal Opera in 2002. Mr. Hrusa, 41, already resides with his family in London while serving as chief conductor of the Bamberg Symphony and principal guest conductor of both the Czech Philharmonic and the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome. In November, he will make his U.S. operatic debut with a production of Janacek’s “Jenufa” at Lyric Opera of Chicago.
Persons: Jakub Hrusa, , , Hrusa, Antonio Pappano Organizations: Royal Opera House, Royal Opera, Bamberg Symphony, Czech Philharmonic, Lyric Opera of Locations: Czech, London, Santa, Rome, Lyric Opera of Chicago
For those who remember the 2019 Shakespeare in the Park production of “Much Ado About Nothing” — as I do, fondly — the sight that awaits them at this summer’s “Hamlet” in the same location is disturbing. The flagpole bearing the Stars and Stripes sticks out of the ground at a precipitous angle, like a javelin that made a bad landing. For the director Kenny Leon and the scenic designer Beowulf Boritt, both returning for this “Hamlet” — the Public Theater’s fifth in the park since 1964 and 13th overall — it’s a coup de théâtre, if an odd one. An approach that had been designed to welcome audiences to a new way of looking at Shakespeare in 2019 now seems destined to exclude them. But this “Hamlet” has been placed in a frame that doesn’t match what the production actually delivers, leaving me glad to have seen it but wishing for something more congruent.
Persons: , Stacey Abrams, Kenny Leon, Beowulf Boritt, théâtre, Jason Michael Webb, Wood Locations: Black, Atlanta, tatters
The twilight golden years of the Golden Age of musical theater, which archaeologists date from about 1959 to 1981, produced three great lyricists. One, of course, was Stephen Sondheim, setting words to his own music with a neurotic complexity that defined that time and ours. Sondheim called his lyrics “impeccable.”As models of humor, elegance and compassion, they could stand to be more widely studied and imitated. That they aren’t is partly the result of the strange bifurcation of Harnick’s career into Bock and post-Bock eras. Another handful of his shows with Bock (“The Apple Tree,” “The Rothschilds,” “Tenderloin”) are just as pleasurable, if less profound.
Persons: Stephen Sondheim, Fred Ebb, John Kander, Sheldon Harnick, , Jerry Bock, Sondheim, Bock, Harnick, , “ Fiorello
On Monday night, luminaries of music and film, dressed in ruffles, sequins and tulle, gathered in Harlem at the Apollo Theater and in SoHo for a Tribeca Film Festival dinner. Uptown, the Apollo hosted its annual Spring Benefit, where musicians and philanthropists celebrated the theater’s 90th year and Kareem Abdul-Jabbar and Sean Combs accepted awards. The event included performances by Wyclef Jean; Stout; Gladys Knight, and MC Lyte, who were supported by Ray Chew, the music director for the event, and his band. Downtown, on Spring Street, Chanel hosted the 16th annual Tribeca Festival Artists dinner at Balthazar, which honored women artists who contributed original artwork to the festival’s filmmakers. The crowd included Robert De Niro, Lizzy Caplan, Tracee Ellis Ross, Brendan Fraser, Katie Holmes and Sofia Coppola.
Persons: Kareem Abdul, Jabbar, Sean Combs, Wyclef Jean, Stout, Gladys Knight, MC Lyte, Ray Chew, Derrick Jones, , DJ Kool, Chanel, Balthazar, Robert De Niro, Lizzy Caplan, Tracee Ellis Ross, Brendan Fraser, Katie Holmes, Sofia Coppola Organizations: Apollo, Tribeca, Downtown Locations: Harlem, SoHo
On a barge in Red Hook, Brooklyn, dockworkers chant against their corrupt union boss. “We’re striking this ship!” yells the group’s leader. This is a scene from Brave New World Repertory Theater’s production of “The Hook,” the first American staging of an adapted Arthur Miller screenplay. The show, which opens at the Waterfront Museum on Friday, follows Marty, a longshoreman in 1950 who fights against the union corruption that controlled Red Hook’s waterfront. Now the show returns to the neighborhood in which it is set, staged aboard a docked ship straight from Panto’s time.
Persons: , , Arthur Miller, Marty, Miller, Pete Panto, Claire Beckman Organizations: Waterfront Museum Locations: Red Hook , Brooklyn
Total: 25